Tom Holland

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The chin lacks forward projection, creating a weak lower face appearance.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The entire face is too short and wide, reducing overall proportion.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The eyes are too far apart, creating a wide or stretched midface appearance.

The upper jaw is too short, creating an unbalanced lower face proportion.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The forehead has a softer, less prominent ridge than the ideal.

The nose is too broad, creating an unbalanced facial appearance.

The midface and jaw shapes do not align, reducing facial harmony.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower face is too tall, creating an elongated chin and jaw.

The middle of the face is too short, appearing compressed or wide.

The central midface is too wide, often due to wide-set eyes or a short nose.

The upper face (forehead) is too short, reducing vertical balance.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The mouth corners are downturned, creating a frowning or sad appearance.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

8 ratios showing minor proportional variations that contribute to overall harmony score.