Bruno Mars

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The middle of the face is too short, appearing compressed or wide.

The upper jaw is too short, creating an unbalanced lower face proportion.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The mouth is too slim, reducing expressiveness and facial proportion.

The nose is too short vertically, creating a less balanced midface.

The neck lacks angularity, appearing soft and undefined in the profile view.

The central midface is too wide, often due to wide-set eyes or a short nose.

The nose is too broad, creating an unbalanced facial appearance.

The midface is underprojected.

The midface and jaw shapes do not align, reducing facial harmony.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The lower face is too tall, creating an elongated chin and jaw.

The entire face is too short and wide, reducing overall proportion.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The forehead is too slim relative to the face, reducing upper face balance.

The forehead is too flat, lacking natural curvature and prominence.

The midface is too short vertically, compressing the central face.

The mouth corners are downturned, creating a frowning or sad appearance.

The eyebrows lack adequate horizontal length.

The nose tip is excessively pointed, creating a harsh appearance.

14 ratios showing minor proportional variations that contribute to overall harmony score.