Stephen Curry

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The nose is too short vertically, creating a less balanced midface.

The middle of the face is too short, appearing compressed or wide.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The upper jaw is too short, creating an unbalanced lower face proportion.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The eyes are too far apart, creating a wide or stretched midface appearance.

The central midface is too wide, often due to wide-set eyes or a short nose.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The chin extends too far forward, unbalancing the facial profile.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The nose protrudes excessively, dominating the facial profile.

The face is excessively tall and narrow, creating an elongated appearance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower face is too tall, creating an elongated chin and jaw.

The midface and jaw shapes do not align, reducing facial harmony.

The midface is too short vertically, compressing the central face.

The upper forehead slopes backward excessively.

The nose bridge is excessively narrow.

The eyebrows lack adequate horizontal length.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The forehead slopes backward excessively, altering upper face proportions.

13 ratios showing minor proportional variations that contribute to overall harmony score.