Ezra Miller

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The eyes are too far apart, creating a wide or stretched midface appearance.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The neck is too slim, appearing delicate and less proportionate to the face.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The neck lacks angularity, appearing soft and undefined in the profile view.

The face is excessively tall and narrow, creating an elongated appearance.

The eyes appear excessively round.

The midface and jaw shapes do not align, reducing facial harmony.

The nose bridge is excessively wide.

The eyebrows arch too high, creating an overly expressive or surprised look.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The upper forehead slopes backward excessively.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

7 ratios showing minor proportional variations that contribute to overall harmony score.