Anya Taylor-Joy front
Front
Side

Anya Taylor-Joy

female·66 ratios · Facial harmony analysis

Overall
5.6
Top 43%·Good harmony
Front
3.8
Bottom 23%
Side
8.4
Top 0.06%

Ratio breakdown

66
Side profile

Strengths

27
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.7
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.5
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.3
Good ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.7
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for improvement

15
9.0%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
5.9%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
5.8%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.8%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
5.8%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
3.3%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.8%
Overly round eye shape
The eyes appear excessively round.
2.7%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.7%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.6%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
1.6%
Wide forehead
The forehead is excessively wide, creating a disproportionate upper face.
1.3%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.2%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
6.7%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.

Similar harmony

6

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