
Front
Side
Hoshi (Seventeen)
male·66 ratios · Facial harmony analysis
Overall
5.7
Top 42%·Good harmony
Front
5.0
Top 50%
Side
6.7
Top 10%
Ratio breakdown
66Side profile
Strengths
2410.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.6
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.2
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.0
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
8.7
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.6
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.1
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for improvement
205.0%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
4.4%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
4.2%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
3.7%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
3.7%
Overprojected chin
The chin extends too far forward, unbalancing the facial profile.
3.6%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
3.1%
Low-set cheekbones
The cheekbones are positioned too low, reducing midface prominence and youthfulness.
2.7%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.7%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.7%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.4%
High-set eyebrows
The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.
2.1%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.4%
Overly round eye shape
The eyes appear excessively round.
1.0%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
1.0%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.8%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.8%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
0.7%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.6%
Overly narrow nose bridge
The nose bridge is excessively narrow.
4.0%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
Similar harmony
6See how you compare
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