Noah Beck

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

13 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The upper jaw is excessively long, unbalancing the lower face proportions.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The eyes are positioned too close together, reducing midface balance.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower face is too tall, creating an elongated chin and jaw.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The upper face (forehead) is too short, reducing vertical balance.

The nose is overly upturned, creating an unbalanced nasal profile.

The eyes appear excessively round.

The cheekbones are moderately low, providing limited midface definition.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The forehead is too slim relative to the face, reducing upper face balance.

The midface and jaw shapes do not align, reducing facial harmony.

The nose bridge is excessively narrow.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The eyebrows lack adequate horizontal length.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The forehead slopes backward excessively, altering upper face proportions.

The nose tip is excessively pointed, creating a harsh appearance.

10 ratios showing minor proportional variations that contribute to overall harmony score.