Irene (Red Velvet)

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

12 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is excessively long, unbalancing the lower face proportions.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The eyes appear excessively round.

The eyes are positioned too close together, reducing midface balance.

The nose is too long vertically, unbalancing the midface proportions.

The nose bridge is excessively narrow.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The upper forehead slopes backward excessively.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The eyebrows lack adequate horizontal length.

The midface is too tall, elongating the central face.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

12 ratios showing minor proportional variations that contribute to overall harmony score.