Mike Mew

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

5 ratios showing strong performance but not fitting into specific categorized strengths.

The nose is too short vertically, creating a less balanced midface.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The face is excessively tall and narrow, creating an elongated appearance.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The neck is too slim, appearing delicate and less proportionate to the face.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The upper jaw is excessively long, unbalancing the lower face proportions.

The lower jaw is too short, reducing lower face strength and balance.

The chin extends too far forward, unbalancing the facial profile.

The forehead has a softer, less prominent ridge than the ideal.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The midface is too short vertically, compressing the central face.

The upper face is too tall, creating an unbalanced forehead proportion.

The nose protrudes excessively, dominating the facial profile.

The eyebrows slope downward, giving a tired or stern appearance.

The central midface is too wide, often due to wide-set eyes or a short nose.

The forehead slopes backward excessively, altering upper face proportions.

The midface and jaw shapes do not align, reducing facial harmony.

The upper forehead slopes backward excessively.

The forehead is excessively wide, creating a disproportionate upper face.

The eyes appear excessively round.

The upper lip is set too far back, creating a flat or thin appearance.

The mouth corners are downturned, creating a frowning or sad appearance.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The eyebrows lack adequate horizontal length.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The nose bridge is excessively narrow.

8 ratios showing minor proportional variations that contribute to overall harmony score.