Drake front
Front
Side

Drake

male·66 ratios · Facial harmony analysis

Overall
3.4
Bottom 12%·Poor harmony
Front
3.0
Bottom 4.9%
Side
4.0
Bottom 29%

Ratio breakdown

66
Side profile

Strengths

17
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.9
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.8
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.4
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.4
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.3
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.1
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7
Additional Strengths
12 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for improvement

27
10.0%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
9.2%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
7.4%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
7.3%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
6.3%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
6.3%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
5.1%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
4.4%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
4.3%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.7%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
3.5%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
3.3%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
2.9%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
2.7%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.4%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.4%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.4%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.4%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
2.2%
Short top third
The upper face (forehead) is too short, reducing vertical balance.
2.1%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.0%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.4%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
1.3%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.1%
Overly rounded and undefined nasal tip
The nose tip is too round, lacking sharpness and definition.
0.8%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.4%
Overly narrow nose bridge
The nose bridge is excessively narrow.
4.1%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.

Similar harmony

6

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