Matthew Noszka

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious midface due to the midface not being overly elongated or shortened.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

6 ratios showing strong performance but not fitting into specific categorized strengths.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The eyes are positioned too close together, reducing midface balance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The eyes are too small, creating a less balanced facial appearance.

The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.

The forehead has a softer, less prominent ridge than the ideal.

The nose is overly upturned, creating an unbalanced nasal profile.

The lower lip juts out excessively, unbalancing the lower face.

The lower lip is excessively thick, creating disproportionate lip proportions.

The forehead slopes backward excessively, altering upper face proportions.

The upper forehead slopes backward excessively.

The eyes appear excessively round.

The nose tip is excessively pointed, creating a harsh appearance.

The eyebrows lack adequate horizontal length.

The nose bridge is excessively narrow.

The forehead is too slim relative to the face, reducing upper face balance.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

5 ratios showing minor proportional variations that contribute to overall harmony score.