Florence Pugh front
Front
Side

Florence Pugh

female·66 ratios · Facial harmony analysis

Overall
5.8
Top 36%·Good harmony
Front
4.8
Bottom 48%
Side
7.4
Top 1.9%

Ratio breakdown

66
Side profile

Strengths

24
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.7
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.6
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.6
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.2
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.1
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.8
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for improvement

17
7.5%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
6.5%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
6.5%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
5.6%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
4.9%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
4.4%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.4%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.4%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.3%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
2.5%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.0%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.7%
Overly compact midface
The middle of the face is too short, appearing compressed or wide.
1.6%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
1.3%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
0.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.5%
Overly wide nose bridge
The nose bridge is excessively wide.
7.6%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.

Similar harmony

6

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