Hwang In-youp

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

8 ratios showing strong performance but not fitting into specific categorized strengths.

The eyes are too far apart, creating a wide or stretched midface appearance.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The forehead has a softer, less prominent ridge than the ideal.

The vertical part of the jawbone is too long, elongating the lower face.

The neck is too slim, appearing delicate and less proportionate to the face.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The central midface is too wide, often due to wide-set eyes or a short nose.

The midface and jaw shapes do not align, reducing facial harmony.

The upper face (forehead) is too short, reducing vertical balance.

The eyebrows lack adequate horizontal length.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The upper forehead slopes backward excessively.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The nose bridge is excessively narrow.

5 ratios showing minor proportional variations that contribute to overall harmony score.