Emma Chamberlain front
Front
Side

Emma Chamberlain

female·66 ratios · Facial harmony analysis

Overall
5.2
Top 48%·Slightly above average harmony
Front
4.4
Bottom 40%
Side
6.5
Top 16%

Ratio breakdown

66
Side profile

Strengths

21
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.8
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.7
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.5
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.5
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.4
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.4
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.8
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for improvement

22
6.2%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
5.3%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
5.3%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
4.7%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
4.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.0%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.6%
Low-set cheekbones
The cheekbones are positioned too low, reducing midface prominence and youthfulness.
3.0%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.0%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.3%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
2.1%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.4%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
1.4%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.3%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.3%
Overly rounded and undefined nasal tip
The nose tip is too round, lacking sharpness and definition.
1.1%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
0.5%
Short top third
The upper face (forehead) is too short, reducing vertical balance.
0.4%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
10.9%
Minor Proportional Variations
11 ratios showing minor proportional variations that contribute to overall harmony score.

Similar harmony

6

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