
Front
Side
Zendaya
female·66 ratios · Facial harmony analysis
Overall
6.0
Top 29%·Good harmony
Front
5.1
Top 49%
Side
7.4
Top 2.3%
Ratio breakdown
66Side profile
Strengths
2610.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.8
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.5
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.3
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
8.5
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.5
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for improvement
156.1%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
5.3%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
4.1%
Overly compact midface
The middle of the face is too short, appearing compressed or wide.
3.6%
Droopy nose
The nose droops downward, creating an unbalanced nasal profile.
3.4%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
3.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.2%
Underprojected midface
The midface is underprojected.
2.1%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.1%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.7%
Overly narrow and compact eye shape
The eyes are too slim and elongated, creating a squinted appearance.
1.5%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.0%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
0.4%
Overly wide nose bridge
The nose bridge is excessively wide.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.0%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
Similar harmony
6See how you compare
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