Wonyoung (IVE)

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

12 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The eyes are positioned too close together, reducing midface balance.

The upper jaw is excessively long, unbalancing the lower face proportions.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The eyebrows lack adequate horizontal length.

The upper face (forehead) is too short, reducing vertical balance.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The midface is too tall, elongating the central face.

The lower face is too tall, creating an elongated chin and jaw.

The eyes appear excessively round.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The forehead slopes backward excessively, altering upper face proportions.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

6 ratios showing minor proportional variations that contribute to overall harmony score.