Winter (aespa)

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

8 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is excessively long, unbalancing the lower face proportions.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The midface and jaw shapes do not align, reducing facial harmony.

The nose bridge is excessively narrow.

The lower lip is excessively thick, creating disproportionate lip proportions.

The eyes appear excessively round.

The lower lip juts out excessively, unbalancing the lower face.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The eyebrows lack adequate horizontal length.

The lower face is too tall, creating an elongated chin and jaw.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The forehead is too slim relative to the face, reducing upper face balance.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

5 ratios showing minor proportional variations that contribute to overall harmony score.