
Front
Side
Timothée Chalamet
male·66 ratios · Facial harmony analysis
Overall
8.7
Top 0.01%·Approaching perfection
Front
8.4
Top 0.06%
Side
9.3
Top 0.002%
Ratio breakdown
66Side profile
Strengths
3710.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Ideal jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.8
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.7
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.7
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.5
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.4
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.3
Good mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.1
Good midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
8.9
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.8
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
Areas for improvement
51.3%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.1%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.0%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.4%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
3.2%
Minor Proportional Variations
3 ratios showing minor proportional variations that contribute to overall harmony score.
Similar harmony
6See how you compare
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