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This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The eyes are too far apart, creating a wide or stretched midface appearance.

The nose is too short vertically, creating a less balanced midface.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The face is excessively tall and narrow, creating an elongated appearance.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is excessively long, unbalancing the lower face proportions.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The nose is too broad, creating an unbalanced facial appearance.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The mouth is too slim, reducing expressiveness and facial proportion.

The lower jaw is too short, reducing lower face strength and balance.

The central midface is too wide, often due to wide-set eyes or a short nose.

The eyebrows lack adequate horizontal length.

The forehead is too slim relative to the face, reducing upper face balance.

The eyes are too slim and elongated, creating a squinted appearance.

The forehead slopes backward excessively, altering upper face proportions.

The upper forehead slopes backward excessively.

The upper lip extends too far forward, disrupting facial harmony.

The upper face is too tall, creating an unbalanced forehead proportion.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The nose bridge is excessively narrow.

9 ratios showing minor proportional variations that contribute to overall harmony score.