Pietro Boselli front
Front
Side

Pietro Boselli

male·66 ratios · Facial harmony analysis

Overall
7.9
Top 0.6%·Exceptional harmony
Front
7.3
Top 2.5%
Side
8.8
Top 0.01%

Ratio breakdown

66
Side profile

Strengths

34
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Ideal mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.7
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.6
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.6
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.6
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.3
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.2
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
8.6
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for improvement

9
4.9%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
2.5%
Overly round eye shape
The eyes appear excessively round.
2.1%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
1.6%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
1.2%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
1.1%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
0.9%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.6%
Overly wide nose bridge
The nose bridge is excessively wide.
2.6%
Minor Proportional Variations
2 ratios showing minor proportional variations that contribute to overall harmony score.

Similar harmony

6

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