Oscar Patel

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The face is excessively tall and narrow, creating an elongated appearance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The eyes are too slim and elongated, creating a squinted appearance.

The neck is too slim, appearing delicate and less proportionate to the face.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The eyes are too small, creating a less balanced facial appearance.

The forehead has a softer, less prominent ridge than the ideal.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The lower lip is too recessed, reducing fullness and profile balance.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The cheekbones are moderately low, providing limited midface definition.

The forehead is too slim relative to the face, reducing upper face balance.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The midface is underprojected.

The upper face is too tall, creating an unbalanced forehead proportion.

The nose bridge is excessively narrow.

The eyebrows lack adequate horizontal length.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The upper forehead slopes backward excessively.

The forehead slopes backward excessively, altering upper face proportions.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

6 ratios showing minor proportional variations that contribute to overall harmony score.