Martha Kalifatidis

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

6 ratios showing strong performance but not fitting into specific categorized strengths.

The nose is too long vertically, unbalancing the midface proportions.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The eyes are positioned too close together, reducing midface balance.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The upper jaw is excessively long, unbalancing the lower face proportions.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The midface and jaw shapes do not align, reducing facial harmony.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The eyes appear excessively round.

The upper lip extends too far forward, disrupting facial harmony.

The nose bridge is excessively narrow.

The cheekbones are moderately low, providing limited midface definition.

The midface is too tall, elongating the central face.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

10 ratios showing minor proportional variations that contribute to overall harmony score.