Karina (aespa)

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The forehead is too slim relative to the face, reducing upper face balance.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The forehead slopes backward excessively, altering upper face proportions.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The neck lacks angularity, appearing soft and undefined in the profile view.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The midface is too tall, elongating the central face.

The eyebrows lack adequate horizontal length.

The nose bridge is excessively narrow.

The upper forehead slopes backward excessively.

8 ratios showing minor proportional variations that contribute to overall harmony score.