Han So-hee

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The upper jaw is too short, creating an unbalanced lower face proportion.

The eyes are too far apart, creating a wide or stretched midface appearance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The lower face is too tall, creating an elongated chin and jaw.

The midface and jaw shapes do not align, reducing facial harmony.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The lower lip is excessively thick, creating disproportionate lip proportions.

The forehead is too flat, lacking natural curvature and prominence.

The forehead is too slim relative to the face, reducing upper face balance.

The nose bridge is excessively narrow.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

9 ratios showing minor proportional variations that contribute to overall harmony score.