Paula darosio front
Front
Side

Paula darosio

female·66 ratios · Facial harmony analysis

Overall
8.0
Top 0.4%·Exceptional harmony
Front
8.6
Top 0.03%
Side
7.1
Top 4.8%

Ratio breakdown

66
Side profile

Strengths

31
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.9
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.7
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.5
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.3
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.1
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
8.9
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.7
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for improvement

12
3.6%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.6%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.6%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.8%
Overly compact midface
The middle of the face is too short, appearing compressed or wide.
1.5%
Overly wide neck
The neck is excessively broad, often due to muscle bulk or fat, reducing definition.
1.2%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
0.8%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
0.7%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
0.5%
Short middle third
The midface is too short vertically, compressing the central face.
0.4%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.3%
Overly wide nose bridge
The nose bridge is excessively wide.
2.7%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.

Similar harmony

6

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