Gustavo "Vito" Basso

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

8 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is excessively long, unbalancing the lower face proportions.

The neck lacks angularity, appearing soft and undefined in the profile view.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The forehead is too slim relative to the face, reducing upper face balance.

The nose is overly upturned, creating an unbalanced nasal profile.

The cheekbones are moderately low, providing limited midface definition.

The lower face is too tall, creating an elongated chin and jaw.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

7 ratios showing minor proportional variations that contribute to overall harmony score.