Chris Bumstead

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The upper jaw is too short, creating an unbalanced lower face proportion.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The nose appears too soft and weak, creating an unbalanced nasal profile.

The neck lacks angularity, appearing soft and undefined in the profile view.

The mouth is excessively wide, creating an unbalanced oral region.

The cheekbones are moderately low, providing limited midface definition.

The nose protrudes excessively, dominating the facial profile.

The eyes are positioned too close together, reducing midface balance.

The midface and jaw shapes do not align, reducing facial harmony.

The eyes appear excessively round.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The forehead slopes backward excessively, altering upper face proportions.

The nose tip is too round, lacking sharpness and definition.

The nose bridge is excessively narrow.

The forehead is too slim relative to the face, reducing upper face balance.

The eyebrows arch too high, creating an overly expressive or surprised look.

7 ratios showing minor proportional variations that contribute to overall harmony score.